n.e.w.s. is a collective online platform for the analysis and development of art-related activity, drawing upon contributions from around the globe, bringing together different voices, accents and outlooks from the North, East, West and South. | Read more..

N.E.W.S Bibliography

Title Authors Year of Publication Institution City ISBN Numbersort icon Label Edition
First Amendment to the United States Constitution - Wikipedia, the free encyclopedia Submitted
Better Read than Dead: A Visit to the Martha Rosler Library « 0rhizone Graeme T, Maglioni S Submitted
‘Public Life’ Zhijie Q 1994
Preaching to the Converted: Questions on the Role of Authorship and Readership Berghuis T Submitted
Man with a movie camera (Chelovek s kino-apparatom) Vertov D 1929
Plausible Artworlds | basekamp Submitted
Spiegler M 2005
Face Hunter Submitted
Punishment in public sphere Guerrero I Submitted
Africa as you've never seen it | Art and design | The Observer O'Hagan S Submitted
PUBLIC NETBASE: NON STOP FUTURE, New practices in Art and Media Ćurčić B Submitted
Utama -- Every Name in History is I Nyen HT 2007
Comparative Contemporaries Choy LW Submitted
Flavio de Carvalho, Experiencia 3, 1956 Guerrero I Submitted
centar za nove medije_kuda.org | centar za nove medije_kuda.org je kolektiv posvećen novim tehnologijama, umetnosti, aktivizmu i politici Submitted
"Double Dutch" and the culture game. Oguibe O 2001
SlowTV | Robert Storr on biennales, art fairs and the notion of dialogue (Part 3). MCA | The Monthly Submitted
BAK 2007
Off Center » Cao Fei’s iMirror Submitted
Cosplayers Series 2004
ARTicles: Free Adorno, Free Benjamin -- An Open Letter textz.com case Ambulanzen AS Submitted
International Street Style Photography Commandeur I Submitted
Experimental Economy Camp — Centre for Internet and Society Submitted
ERRARE HUMANUM EST: a forum on error and errorism Wright S Submitted
Biennial facts and statistics 2009
Milkman Fei C 2005
pro.ba Submitted
Should we be able to have our "cultural diversity cake" and eat it too? Ridgway R Submitted
RMB CITY-A Secondlife City Planning Submitted
NODE.London - Networked, Open, Distributed, Events. London Submitted
c-artsmag.com Submitted
Toward an extraterritorial reciprocity: beyond worldart and vernacular culture Wright S Submitted
Biennale demand, Asia Art Archive Choy LW Submitted
INTHECONVERSATION: Art Leisure Instead of Art Work: A Conversation with Randall Szott Submitted
2008TaipeiBiennial Submitted
"The seemingly impossible is possible" TED TALK BY Hans Rosling - 2008 Submitted
Cutting Slack extended until February 15th Ridgway R Submitted
Be for Real: the Usership Challenge to Expert Culture Wright S Submitted
Positions of Art Criticism: art as commodity and/or political propaganda Commandeur I Submitted
English Diggers Submitted
Objects of desire Sánchez E 2007
The Renegade Simic C Submitted
"Fuck Off" - exhibition. Curators, Feng Boyi and Ai Weiwei. 2000
Asia Art Archive Submitted
Home | YOKOHAMA TRIENNALE 2008 Submitted
johnbarlow | John Barlow | Travel Blog Submitted
INTHECONVERSATION: Art Leisure Instead of Art Work: A Conversation with Randall Szott Submitted
The Open-Source Boob Project Submitted
“Trans Forma” (exhibition) 2002
Cao Fei Fei C Submitted
Burners Fei C 2003
Altercritics 2009
Express train Shijian J 2008
Transmission. A network of online video distribution projects for social change Submitted
Portfolios at Coroflot.com Submitted
Central Asian Art-Traffic Sorokina Y Submitted
2010年第八届上海双年展官方站 Shanghai Biennale Submitted
Pipeline|* Submitted
‘Five Types of Explanation – Eat, Drink, Shit, Piss, and Sleep’ Dong S 1998
Playlust Submitted
de.indymedia.org | Adornos Erben: Interview mit textz.com Submitted
Asian Biennials Forum susan Kendzulak Submitted
The Futurist Manifesto F.T M 1909
The Singapore Experiment Szántó A 2009
The Large Glass Duchamp M Submitted
Jinqin Ershan W 1994
Open Congress: Creativity and the public domain, Online Event Submitted
Archinect : Image Gallery Submitted
Everybody Wants to be a Milkman Rosanna G, in collaboration with Weisz M 2008
BBC NEWS | Asia-Pacific | 'Japan soldiers' found in jungle Submitted
Everybody Wants to be a Milkman Greaves R 2008
"Thriller" (original upload) Submitted
"What is Important is Not Art", collected essays Xianting L 2000
Mapping as Representation | Conflux Festival Peter H Submitted
SLUM-TV | home Submitted
广州三年展,欢迎您 Guangzhou Triennial Submitted
Headless Goldin+Senneby, Barlow J Submitted
Dilettantism and extradisciplinary artistic collaboration Jankowicz M Submitted
Hon ML 2008
"Cultural diversity"? Ćurčić B Submitted
Mali W 2008
Photo documentation of the TV GALLERY exhibition in Novi Sad | new media center_kuda.org Submitted
ABC 2007
Singapore Biennale 2008 Submitted
Electronest Submitted
Models for (the) People Ang T 2009
MIT List Visual Arts Center zeigt Global Conceptualism in Cambridge / MA - Ausstellungen in kunstaspekte Submitted
Hideous Beast Submitted
Gonggong Shenghuo Zhijie Q 1994
Whose finger points at the (open source) moon? Jankowicz M Submitted
The Fate of Public Time: toward a time without qualities Wright S Submitted
Father Fei C 2005
Is Art History Global? Maluka M Submitted
misia: A Modest Proposal Submitted
UK+CA (exchange project) Submitted
Be[com]ing Dutch 2009
Review of Charles Merewether’s “Zones of Contact” Sydney Biennale. Eyeline magazine Choy LW 2006
Zone of Risk - Transition, III Bishkek International Exhibition of Contemporary Art 2007 Submitted
'Loyal Interests' (Metropolis M, no.4 2007, Us) Rahimy T 2007
Does Contemporary Capitalism Need Racism? Bojadžijev M Submitted
The pursuit of error Wright S Submitted
China Tracy's (Cao Fei's Avatar) blog: Fei C Submitted
From Red Stars to Blue Cupolas, Islamic World, Art and Architecture from Central Asia (exhibition) 2004
Looking for a missing employee Mroue R 2003
UNSW, Sydney Submitted
Hard politics with a Sugar Sweet Coating Commandeur I Submitted
New Look: summer fashion for a new man de Carvalho F 1956
www.scca.ba Submitted
Logic and Knowledge Essays 1901-1950 Bertrand R Submitted George Allan & Unwin Ltd First Edition
Social work Sánchez E 2007
re-orientation: Kunst zu Mittelasien (Exhibition, ACC Weimar) 2002
Asia Art Forum Submitted
feral trade courier Rich K Submitted
Diggers All! Copyright is for losers Wright S Submitted
Knife lessons Sánchez E 2007
Sandia National Laboratories: Features: A Map of Science Boyack K 2006
Conflux Festival Submitted
ABOUT ownership of knowledge Submitted
МУЗЕЙ - Главная - MUSEUMstan Program Submitted
Biennale of Sydney 2008 | Australia's Festival of Contemporary Art Submitted
The Jungle Book - Part 1: Discoveries Streitmatt R Submitted
Experimental Economy Camp Ridgway R Submitted
A few images from the launch of n.e.w.s. at The Substation, in conjunction with ISEA2008 Choy LW Submitted
untitled photograph Nontsikelelo ‘L’ V 2004
Launch of n.e.w.s. at ISEA 2008 Ridgway R Submitted
Artistic research in a globalized world Commandeur I Submitted
Flying Fast, as we tumble and explode across the universe Varini F 2008
.:: Welcome to P U K A R ::. Submitted
Voghchaberd Submitted
Autonomous Spaces of Deregulation and Critique, Is a Cooperation with Neoliberal Art Institutions Possible? Ćurčić B Submitted
Pipeline|* Jankowicz M Submitted
Hip Hop: New York Cao F 2006
“No mad’s land, Zeitgenössische Kunst aus Zentralasien" (exhibition) 2002
Réseaux de stoppages(Network of Stoppages) Submitted
All Together Now : The New Yorker Schjeldahl P Submitted
Witte de With - Project - Rotterdam Dialogues: The Critics Submitted
Asian Biennales Forum ... OPENING REMARKS by PANELISTS Choy LW Submitted
Center for Contemporary Art & Politics, College of Fine Arts/UNSW, Sydney Submitted
n.e.w.s. on FBI Radio Berghuis T Submitted
재단법인 광주비엔날레 Gwangju Biennale Submitted
Critic X and the Failure of International Art Criticism: a mini case study Maluka M Submitted
‘The Delicate Essence of Artistic Collaboration’ Wright S 2004
Cutting Slack: paradoxes of slackerdom Wright S Submitted
Trevor Paglen Submitted
From the critique of institutions to an institution of critique. - Free Online Library Fraser A Submitted
9to5.Wir nennen es Arbeit - Festival-Camp - Submitted
The Purloined Letter Poe EA 1844
New look: moda de verão para o novo homem de Carvalho F 1956
Pipeline|* Submitted
Fuck Off Weiwei A, Boyi F 2000 SC Eastlink Shanghai
Pastan Meldibekov E 2001
Television as a Symbol of Lost Public Space, The exhibition “TV Gallery” Ćurčić B Submitted
Surrealist Forest Dalí S Submitted
Conflux 2008: notes from the panel Cartography of Protest and Social Changes - we make money not art R Submitted
Do Art Critics Still Matter? Submitted
“The Praise of Laziness” in Jadranka Vinterhalter, ed., Mladen Stilinovic (Zagreb: Soros Center for Contemporary Art), 29. Stilinovic M Submitted
‘Wudian Shuoming – Chi, He, La, San, Shui’ Dong S 1998
ChinaTracy Submitted
centar za nove medije_kuda.org | centar za nove medije_kuda.org je kolektiv posvećen novim tehnologijama, umetnosti, aktivizmu i politici Submitted
The Implosion of History and Context Maluka M Submitted
LeisureArts Submitted
Art and Its Own Power Ćurčić B Submitted
Lev Manovich Talk at Laselle « ISEA2008 Submitted
How should we try to define 'cultural diversity'? Ridgway R Submitted
Eating People Yu Z 2000
‘Banjir Kemarau’ (‘Flooding in the Time of Draught’) Singapore Biennale Ong S 2008
The Idler » Conversations: Will Self Submitted
visualcomplexity.com | A visual exploration on mapping complex networks Submitted
Contemporary Art: 'Now' or 'Never'? Berghuis T Submitted
Snap Judgments – New Positions in Contemporary African Photography - Stedelijk Museum - absolutearts.com Submitted
Competition of Ideas: "rethinking the social and economic conditions of art" Wright S Submitted
‘Close Relatives’ Ershan W 1996
Who Makes and Owns Your Work Submitted
lombardi1.jpg (JPEG Image, 900x901 pixels) Lombardi M Submitted
Out of Sight (exhibition, De Appel. Amsterdam) Fei C 2005
Shanghai Biennial 2008, 'Translocalmotion' Submitted
Broken webs: imagining an Internet for introverts Abhinav P Submitted
Ballet Mecanique victorsanz Submitted
Casula Powerhouse: International Centre of Cultural Diversity, Sydney Submitted
Asian Biennales Forum, Part II ... INTRODUCTION Choy LW Submitted
Democracy in America | The National Camgaign Submitted
Broadsheet Submitted
Nicholas Bourriaud introducing the Altermodern at the Tate Gallery, London 2009
ARTstor Submitted
Pelurinho: Edwin Sánchez Guerrero I Submitted
BBC NEWS | Africa | City names mark changing times Branford B Submitted
Plausible (Art) Worlds Wright S Submitted
time will tell Berghuis T Submitted
Against Participation: A Total Critique of Culture Flint H Submitted
Asian Biennials Ridgway R Submitted
The Delicate Essence of Artistic Collaboration Wright S Submitted
The human condition Arendt H 1958 Chicago U.P.;Cambridge U.P
Etats Post-nationaux, Réseaux d'influence, Biocratie d'Etudes B Submitted
Digging in the Epistemic Commons Wright S Submitted
Soros Center for Contemporary Art - Almaty Submitted
Renaming Remaining Streitmatt R Submitted
musafir Darmawan A Submitted
What everybody knows: protocols of rumour Wright S Submitted
Plausible Artworlds Wright S, Scott R Submitted
After the launch, part 2: lessons from ISEA & what’s next Choy LW Submitted
SIGNS OF CHANGE: SOCIAL MOVEMENT CULTURES 1960s TO NOW September 20 - November 22, 2008 EXIT ART Submitted
Eating in Public Submitted
The Analytical Language of John Wilkins Borges JL Submitted
Use of Pleasure, The : The History of Sexuality Volume 2 translated by Foucault MRH; 1986 Viking, London, 1986,
byronfgarcia Submitted
université tangente - tangential university Submitted
After the launch in Singapore, part 1: slow n.e.w.s. Choy LW Submitted
Broadsheet vol 37 no 3 Choy LW Submitted
CBS - Home Submitted
Wanderer Above the Nebelmeer Friedrich CD 1818
Experiencia 3 de Carvalho F Submitted
The charm of foreign parts Clark J Submitted
Globalization of the Art System Commandeur I Submitted
The Italian trans-avantgarde =: La transavanguardia Italiana Oliva AB 1981 Giancarlo Politi Editore 2nd ed
In the Shadow of "Heroes" (ehibition) 2005
Lights in the city Jaar A Submitted
Data's Demon Wright S Submitted
Competition of Ideas Ridgway R Submitted
karbon journal online Darmawan A Submitted
Rescue Smoke, Sposati C 2007
Negativland Interviews U2’s The Edge :Negativworldwidewebland Submitted
Asian Biennales Forum ... DISCUSSION Choy LW Submitted
Superstar Russell L, Bramlett B 1971
Web 2.0 – “New Economy” of Enclosure Ćurčić B Submitted
Michael Jackson - Thriller PV Inc. MJJP 1982
n.e.w.s. as Gesamtkunstwerk? Berghuis T Submitted
“A Contemporary Archive, Art from Central Asia” (Victor Misiano, curator) 2005
Michael Lee Hon (Third Guangzhou Triennial) Submitted
(curator Yulia Sorokina and Ulan Djaparov co-curator) 2007
Creative Time presents Democracy in America: Reverend Billy at the Park Avenue Armory. Brown B 2008
Hideous Beast » Leisure Library Submitted
Svetlana Boym | Welcome Submitted
Taipei tomorrow's a lake again Submitted
Processed World Submitted
Nowtopia: A new politics of work Submitted
Greetings from the moderator Choy LW Submitted
FBi Radio 94.5FM Submitted
부산비엔날레 Busan Bienale Submitted
CultureVis contact Submitted
|* » Blog Archive » The Environmental Witch-Hunt Group TF 1970
Four Corners - Tracking the Intervention Submitted
They Might Be Giants lyrics :: They Might Be Giants Istanbul (Not Constantinople) lyrics Submitted
Lost tribe bypassed by history - World - NZ Herald News McGirk J Submitted
n.e.w.s. at Basekamp, summary Ridgway R Submitted
Gasworks - Gallery, Studios and International Residency Programme Submitted
Taipei vs. Shanghai Pollack B Submitted
The Use of Free Time (Situationist International) 1960
n.e.w.s. at Basekamp Ridgway R Submitted
Welcome to Basekamp | basekamp Submitted
Digger Tracts Submitted
ShahidulNews Submitted
POLITICAL PRACTICES OF (POST-) YUGOSLAV ART | centar za nove medije_kuda.org Submitted
Leisure Projects Submitted
(Re-)imagining the City, the Conditions of Existence, and the New Shanghai Surreal Berghuis TJ Submitted Sydney: TAASA Review, 2007 and Melbourbe, 2008 CIHA
Cultural analytics Ridgway R Submitted
Boris Buden: Commentary on the Text by Branka Ćurčić | transform.eipcp.net Buden B 2007
Modern Chinese art 101 | The Australian Berghuis TJ Submitted
I want time that is NOT money Ridgway R Submitted
Extra/Ordinary Cities Berghuis T Submitted
Second Life Commandeur I Submitted
WAC | Visual Arts | Exhibition | Global Conceptualism: Points of Origin, 1950s-1980s Submitted
'Uncontacted' tribe spotted in Brazil. 26/05/2005. ABC News Online Submitted
Liew Kung Yu: Excellence, Glory, Distinction Submitted
Duchamp M 1914
Biennale of Sydney 2008 | Australia's Festival of Contemporary Art Submitted
ISEA 2008 (Keynote Address) Lessing L 2008
A Hacker Manifesto Wark MK Submitted Harvard Univ.
Be a Happy Worker: Work-to-Rule! Submitted
Exit Strategies: Challenging Productivism in Contemporary Capitalism and Art Wright S Submitted
The Wrecking Ball of Innovation Judt T Submitted
Boom Boom - 4th Bishkek International Exhibition of Contemporary Art i 2008
Opening of 7th Gwangju Biennale / e-flux Submitted
Barack Obama: 'A More Perfect Union' (Full Speech) BarackObamadotcom Submitted
Gasworks - Disclosures Submitted
Troca-trocas Guerrero I Submitted
How Copyright Law Changed Hip Hop.Interview with Chuck D & Hank Shocklee of Public Enemy Kembrew MC Submitted
The Philosophy of 'As if': A System of the Theoretical, Practical and Religious Fictions of Mankind Vaihinger H 1984 Routledge & Kegan Paul London
Work Avoidance: The Everyday Life of Marcel Duchamp's Readymades Molesworth H 1998
Atlas Group Archive Raad W 1999
The poverty of journal publishing Beverungen A, Böhm S, Land C 2012
The Problem with Work: Feminism, Marxism, Antiwork Politics, and Postwork Imaginaries Weeks K 2011 Duke University Press
The Sharing Economy Sacks D 2011
Marcel Duchamp and the Refusal of Work Lazzarato M 2014
Sylvie And Bruno Concluded Caroll L 1873 Jazzybee Verlag
Ontological Walkscapes Andreassian K, Wright S 2009
Microfinance and the Gender of Risk: The Case of Kiva.org 2013
Art beyond Art Araeen R 2010 Third Text Publications
Dear Art Stilinovic M 1999
textz.com - we are the & in copy & paste Submitted
Shoplifters of the World Unite Žižek S 2011
‘User-generated content, free labour and the cultural industries’ Hesmondhalgh D 2010
New World Summit Staal J 2012
Game Changers 2012