http://news.absurd.services/taxonomy/term/207/all en http://news.absurd.services/central-asian-art-traffic-0 <div class="field field-type-nodereference field-field-reference"> <div class="field-items"> <div class="field-item odd"> <a href="/yuliya-sorokina-0">Yuliya Sorokina</a> </div> </div> </div> <fieldset class="fieldgroup group-photos"><legend>Photos/Videos/Files</legend><div class="field field-type-filefield field-field-photos"> <div class="field-items"> <div class="field-item odd"> <img class="imagefield imagefield-field_photos" width="500" height="459" title="Non-Silk Way" alt="nonswnet2" src="http://news.absurd.services/sites/default/files/blog/photos/nonswnet2.jpg?1283279897" /> </div> </div> </div> </fieldset> <p>When I am visiting the next symposium about contemporary art issues, organized by some famous international biennale or any other international forum, I am sure that this or that issue relating to the geopolitical identity in contemporary art will be raised. Presenters speak about ‘Eastern’ art and I am sure that they mean the so-called Far East: China, Korea, Indonesia, Vietnam, or maybe India… And when European art is presented, then it’s about Central and Western Europe, or Eastern Europe and Russia. Central Asian art is situated somewhere in-between these fundamental poles.</p> <p><a href="http://news.absurd.services/central-asian-art-traffic-0" target="_blank">read more</a></p> contemporary policy independence international biennale international events nomadic workshop non-governmental institutions silk route Sun, 20 Jul 2008 03:53:36 +0000 Yuliya Sorokina 102 at http://news.absurd.services