One morning, walking through the streets of Rio de Janeiro I found two different types of vernacular manifestations of male homosexuality: one was a simple engraved graffiti of a heart that declared the love between two boys (Mario and Diogo) and the other was a used condom laying on the ground of Flamengo beach park, a cruising spot for men who desire men. The first was a sign with a significance standing between 'the cute' and 'the countercultural', that also seemed to be celebrating monogamy, while the other was sign of collective and ‘clandestine’ sexuality.