open source

Screenshot of Pipeline

Mia Jankowicz — Sat, 19 Jul 2008 17:26:57 +0000

Whose finger points at the (open source) moon?

Mia Jankowicz — Sat, 19 Jul 2008 16:09:39 +0000

Mia Jankowicz

One of the most notable and essential aspects of open-source cultural values (as informed by FLOSS) is the variety of authorship positions offered in place of the singular author figure that supports the formulation of classical intellectual property discourse. Here I’m speaking particularly in reference to the adoption of open source values and methodologies by the cultural realm; from critical media to contemporary art practice and their dissemination.

What everybody knows: protocols of rumour

Stephen Wright — Sun, 13 Jul 2008 16:27:29 +0000

Stephen Wright

Exhibitions are all right for those of us who like that sort of thing, but like other artworldly activities, they’re pretty harmless. As art seems to have exhausted much of its potential, why not turn our art-critically honed tools to more corrosive phenomena – the kind that suit no one’s purpose, like that all-pervasive, horizontal network of open-source speech-acts of confident uncertainty known as rumour? If only because rumour can wreak more havoc in the public sphere in half an hour than art can in a century, is it not worth at least considering as a possible role model for an unauthored, viewer-free art that escapes itself?

About n.e.w.s.

rr — Tue, 27 May 2008 20:29:05 +0000

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n.e.w.s (http://northeastwestsouth.net) was launched at ISEA 2008 in Singapore at The Substation. n.e.w.s. is a collective online platform for the analysis and development of art-related activity, drawing upon contributions from around the globe, bringing together different voices, accents and outlooks from the North, East, West and South. n.e.w.s. reflects geographic diversity and facilitates a framework for collaboration, content and visions of change from outside the normal parameters of established art world networks. n.e.w.s. offers space for a potential series of global dialogues, transactions and collaborations concerning art and its discourse. Content is curatorially determined: images, texts, podcasts, livestream and sound archives provide documentation of discussions, works or new media. Contributors change during the course of the year depending on interests and time. n.e.w.s. structures these contributions in the form of a blog/archive (images and text), regular online forums on diverse subjects ranging from Asian Biennials, an Internet for introverts to the paradoxes of slackerdom, on error and errorism and remuneration for usership. Building upon shared knowledge and past references, contributors engage with others’ practices. Multilingual translation, tagging and commentary contextualise the contributions and open up new possibilities; collaboration in the form of future projects such as our forthcoming publication and the Shadow Search Project.