n.e.w.s. is a collective online platform for the analysis and development of art-related activity, drawing upon contributions from around the globe, bringing together different voices, accents and outlooks from the North, East, West and South. | Read more..
Web 2.0 is often referred as type of social networking providing “power to a user and democracy for everyone (...), as incubator of innovative forms of media and free cooperation” among its users. But, what if another point of view is added to this innocent image? We simply have to be able to comment, discuss and criticize something that is loudly (and successfully) represented as a new form of “information superhighway” bringing everyone “equal rights” to create and distribute content.
The exhibition “TV Gallery” has been conceived in order to contextualize and represent specific television production (“TV Gallery”) that was created at Belgrade Television and broadcasted on the Yugoslav TV network from 1984 – 1991. The exhibition is dealing with cultural policy, conditions of art and cultural production, public television and production and broadcasting of video art in territory of former Yugoslavia.
PUBLIC NETBASE: NON STOP FUTURE, New practices in Art and Media - New book about Public Netbase t0, edited by New Media Center_kuda.org and published by Revolver.
I have need to react on two points published here around term “cultural diversity”, one in contribution of Ingrid Commandeur in “Globalization of the Art System” (although I realize it is meant as a provocation) on the "the whole idea of a spontaneous cultural diversity" and the other, there is a poll set at the n.e.w.s. web site asking visitors and contributors to vote for: How should we try to define “cultural diversity”?: 1) each contributor should write a definition, 2) visitors to the site can be given access to the “book on cultural diversity” to add their definition.
Aernout Mik, Al Galidi, BAK, Bourdieu, Centrum Beeldende Kunst in Rotterdam, cultural diversity, Guantánamo Bay, Hannah Arendt, Holland, Ingrid Commandeur, Jorge Kata Núñez, Kazakhstan, Manuela Bojadžijev, Maria Hlavajova, Metropolis M, Olu Oguibe, Pim Fortuyn, the Mondriaan Foundation, Theo van Gogh, Tina Rahimy, Wacquant, Žižek
The latest book by Boris Groys - “Art Power”. The book reveals some of the contradictions of modern art, where the lines to today's power assigned to art - exclusively based on the existing free market, the art market – could be drawn from.
In Serbia, the land which hasn't yet experienced the complete influence of regulations by the European Union and neoliberal capitalism in the field of culture and in art and cultural institutions, cooperation between independent (or progressive) groups and those institutions is more simple, and it could be seen as more “natural” in comparison with the experiences of organizations in the countries of mature capitalism.
Alice Marwick on the visual & promotional labor of teen girls on Instagram - nanocelebrity & popularity #DL14http://t.co/ld6h4tsS1X
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6 years 7 weeks ago
.@salrandolph Panel is @ Vera List Center, 6 E16th St @1:30 PM Room 1009
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6 years 7 weeks ago
Presenting 'Arbitrating Attention: Paid Usership' forum http://t.co/v02ZFgsLuv on 15.11.14 at 13:30. 'Digital Labor in the Circuits at #DL14
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6 years 7 weeks ago
@paidusership Looking forward to digital labour
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6 years 8 weeks ago