A response to Joselina: Joselina cites an essay of mine, (“Biennale Demand”, Jan 2008, http://www.aaa.org.hk/newsletter_list.aspx?newslettertype=archive), where I contrast the notion of “convention” with that of “tradition”. She summarises me as saying that “biennales have conventions, but not tradition”. And then she goes on to say: “This may be true to an extent, but following his definition of tradition, biennales, either through the foundations or offices that run them, or through the curators chosen, are hardly oblivious to past biennales that occur around the world. The derivative models from Venice’s formula are a reaction to the original biennale’s framework. The exhibition concepts, thematics, ideas are never realized while the curator is unaware of what’s been done elsewhere. Curators and directors are hardly, never reflexive. Most are. And the biennales they come up with are products of these. Are these then not the creation of a tradition?”
